

5 different skin colors.įactory Sounds: 10 Voice groups: Piano, Strings, Organ, Brass, Sax, Pad, Synth, Guitar, Bass, Ethnic. 8 potentiometers for external EFXĭisplay: 7” touch capacitive. Pedal with 6 curves.Ĭontrols: 15 sliders with RGB Led indicator. Appears to be genuine, and those members on SynthZone who are close to Ketron development have not disputed it. Wait until they hear Genos 2 😬!Ī Chinese poster has recently posted these spec details of the Event on SynthZone.
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Between the Genos' great sounds and a lot of free YouTube help, I'm adding a dynamic to my current band they never thought possible. I'm playing a lot of neat brass and organ parts now for my new band that I'm not really good enough to otherwise do. When you have great tools, you can become greater than you ever thought possible.

As time passes, give that same person a bunch of power planers, saws, sanders, shapers, routers, and other tools, and watch what he or she can build.Īdvanced musical skills and superior music tools are not mutually exclusive. It's like a cabinet maker who produces some pretty nice furniture by using simple hand tools. A lot of it was due to the improvements to the sounds and functions added by Yamaha over the years. It's only in part because I practiced and acquired new skills. The main purpose of this forum and the reason for buying a Genos is to "make music." On the other hand, engaging in wide speculation as to what Yamaha has up its sleeve is further testament to Yamaha's ability to get people to ditch all the endless texting and back to playing music.Īs each new Yamaha keyboard has emerged, I have become a better player. So yes, technology is on the plateau phase. That cant be replicated in any other way, and was only available on high end The sidechaining brings a modern pumping sound to r&b music You can with a sampler, so skys the limit.

"id love to have that rhodes electric keyboard sound that my friend has,Īnd his new grand piano sound too, and his sax that he plays live"
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Those 2 features alone will transform any production recording into a pro sounding track. Reasons for my pre ordering the 5x, are primarily because its offers 2 features Same goes for styles, god knows how they do this.Īnd any other brand that would bring this out later on, would have left it a bit late. You can play the piano and transiton into orchestral strings, in a very smooth natural way, They can obviously do it for Other voices too like,įlugelhorn, Country Guitars, Pianos, Jazz Flutes ?īut is it the concept thats definitely new, or is it the Technique thats New ? That if ketron can Auto, live-sax-audio-licks, to styles, then Im only guessing here, but i would presume, I wonder if they got shy about rolling out this technology in a product after hearing such shrieks and howls about their original (and current) implementation of audio styles.

Yamaha actually has a pile of patents on audio style generation: There appears to be a trademarked feature, "Real Solos," which may be related. The Real Channel most likely controls the licks. I noticed that the Ketron Event front panel mixer has Drum, Bass, Chord and Real Channel sliders to mix audio style elements. Yamaha multi-pads do not follow chord changes. The current chord guides selection of the audio file to be played and real-time transposition (if necessary). The difference - Ketron has incorporated such pre-recorded licks into their styles. Each audio file would be a sax lick from whatever source: the recording of a friend playing sax, a lick from a sample library, etc. One could create a similar effect on Genos (or SX) using audio multi-pads. I suspect that the saxophone licks are pre-recorded, i.e., not jamming.
